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Autotune is a software plugin that identifies the change in Pitch or change in sound frequency. There are some pre-defined frequencies in it, and it “observers” the change of the input of sound/vocal. Autotune allows singers and music composers to identify the pitch singer is hitting. There are seven different notes in music theory. Also, There are different pitches of these seven notes. When a singer makes a mistake, that is, he/she is not able to hit the correct Pitch, Autotune can help in such scenarios. Autotune can be used in many different DAWs. But for the sake of today’s tutorial, We’ll see How to Autotune in FL studio.
But you’re here, wanting to learn this thing. So in this guide, we are going to break down the main features of FL Studio to get you making music in the least time possible. Note: We will be using the FL Studio 20 Producer Edition for this guide. It turns out that FL Studio Mobile was introduced as a free plugin as of FL Studio 12.4. The plugin and ap gets updated regularly so make sure you are running the latest version on your mobile device or tablet and your desktop to ensure everything works well.
Before diving into the “How to Autotune in Fl Studio” section, Let’s understand “How Autotune works”.
How Autotune Works
There are Different notes in musical theory, And There are different pitches also, 12 to be precise. There is a certain pitch of the entire song. This Pitch decides the mood of the song. A singer should and have to maintain the Pitch and the scale during the entire song. Now, When a singer is trying to hit the specific note, Sometimes, He/she misses it. Hence Autotune is used to correct those mistakes.
The Pitch Depends on the frequency of the sound. For instance, E-3 has a frequency of 165 Hz, and F3 has a frequency of 175 Hz. Now, When a singer hits a frequency of 168 Hz, Autotune will identify the mistake, and it will manipulate the Pitch of the original sound, and the scale and the Pitch of the song will be maintained. Musicians can use DAWs like Ableton and Fl Studio to use Autotune plugin. Now when you know how the autotune works, let’s dive into How to use Autotune in Fl Studio.
First things first, There are many different plugins available in the market out there. You can use any of those plugins. Autotune access, Melodyne, Vox Box, WavesAudio’s Vocal Bundle are some of the best plugins. You can use any of the plugins for Autotune in Fl Studio. The basic things in every plugin are the same. You have to change certain settings for different types of songs.
How to Autotune in FL studio
Autotune in FL studio, seems a bit tricky but trust me after this tutorial, It will be a piece of cake for you. There are two basic types of Autotune.
- First, Which is done at the Time of the Recording.
- Second, Which is done during the “Post-processing” phase
We will start with the method done at the time of recording, and then we will move towards the method done after the recording. In this way, We can easily cover all aspects of How to Autotune in Fl Studio.
1. During The Recording session
Let’s assume you want to record a singer’s vocal for a beat you have created earlier. First, you have to set up your mixer channel in FL Studio for recording vocals.
- Select a new mixer channel and Select the audio input according to your mic.
- Use some basic effects like an EQ to remove the bass from your voice so that Autotune can focus on the actual vocals without unnecessary noise. You can also add reverb, but make sure you add reverb below the autotune.
- Below the EQ, Setup your Autotune. My personal preference is Waves Tune Real-Time. You can use your favorite.
Analyze your beats and then Select the key/scale in your Autotune plugin. This is a very important step, so don’t mess it up, Be calm and Be careful while selecting the key as a wrong key can ruin your vocal.
When you have done everything right, You are good to go now. So, Now if, you make mistakes in hitting the correct note in your vocals, Autotune will surely save you.
This setup will give a free room to the singer so he/she can easily sing without worrying about the correctness of the Pitch. Now let’s jump on to the other section of how to Autotune in Fl Studio, in the post-processing phase.
2. Post Recording Techniques
Now, when you have your vocals ready, You can do some post-processing to make it sound more natural.
- Fire up your Autotune plugin from the mixer track, once again
- There you’ll find some knobs. Speed and Note Transition are the main players here.
- Speed will change the speed of correctness, and It represents the time it will take to correct note of your vocals. So if you want a subtle autotune, you can keep the knob a little high.
- Note Transition represents the time it will take to jump off a note to another note. So if you don’t want a robotic noise from your mix, keep the knobs a little higher.
Conclusion
With this setup, you can easily set up an autotune for any type of song. The settings might be different for different genres and songs, but the way of How to Autotune in Fl studio will be the same. I hope you like this easy and simple setup. If you have any questions, feel free to comment down below.
Let’s take a look at some mastering tips for FL Studio users. There are two primary ways of mastering. You can either apply mastering to your song on the mastering output, orr you can export out your song and then pull it back into FL Studio as an audio track and then master the stereo audio track. I’ll leave this method up to you, but the latter is a better way to go as you'll be less inclined to make changes to the mix while you master.
1—Cut Your Lows for Headroom
Try adding a low cut and cut everything below 40 Hz. This cuts out any inaudible frequencies that the human ear can’t hear and take up valuable headroom in the mix. So add a Fruity Parametric EQ 2 and then apply a low cut.
2—Use a Multiband Compressor
You have two multiband compressor options in FL Studio. The Fruity Multiband Compressor, or Maximus. I would recommend using Maximus as its features are more advanced. How Maximus works is that you have three bands (Low, Mid, High) where you can set the frequency range for each, and then also a single band master compressor on the effect. This gives you added control over your audio through the frequency range, plus you can gel the bands together with the single band master compressor.
For example, you could apply a heavier compression setting over the 0–200 Hz region where you bass and kick usually sit, and this won’t affect elements in the higher registers like the cymbals and hats. So decide where you want the band splits to be by soloing each band and then moving over to the right view to adjust the frequency amount.
And then you can see the result of the compression on each band by switching to the monitor view. So tailor the amount of gain for each band, plus the Attack and release times. What I find really cool is that you can even draw in unique threshold curves in the graph. It’s actually very easy setting the threshold this way on the graph.
I like to apply a harder compression on the Low band and increase this slightly. Then I apply slightly less compression to the Mid band. And then for the High band, I don't apply compression, just gain for a bit more high-end detail in the track.
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With the Master band, you use this as a single band compressor to gel all the bands together. Just apply a subtle compression here to help even out the compression on the track.
3—Adding in Saturation
With Maximus, you can also add in some slight saturation per band, also known as harmonic exciting. With the threshold, you have two modes: Mode A or Mode B: and you can choose what percentage of the mode you want to add by moving the dial left or right from the center. With the ceiling dial, when you start decreasing this you’ll hear it imparts the saturation on the band.
4—How About Another EQ
After the multiband compression, you might want to make some EQ adjustments. If so, then add another Fruity Parametric EQ2. I sometimes find a slightly high EQ boost can help bring back some of the high-end detail that got removed through the compression. But this isn’t always necessary. So only use this if you find you need to do some EQ adjustments after the compression.
5—Some Reverb
What also helps to gel the elements together and give your track a sense of a space that it belongs in is to add some reverb. You can either use the algorithmic Fruity Reeverb2, or the convolution Fruity Convolver reverb if you want to use a real space. Less is more here. Too much and the song will become muddy. So drop the Wet dial to about 10% or less.
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6—Hard Limiter
The last effect to add to your mastering chain is the Fruity Limiter. This will maximize the perceived volume of the whole mix, plus help prevent any clipping on your master output. Set the output to -0.1dB to stop it from going over 0 dB, and then increase the Gain to maximize the overall perceived level of your song.
7—Mixer States
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What’s great about FL Studio is that you can save different Mixer states, and re-use them in other songs. So, for example, let’s say you’re mixing a whole album and want to apply the same mastering settings across the album, then you can use this technique. What you do is you go to the drop-down arrow on the top left of the Mixer window, then go to File > Open > Save Mixer State as…
Then when you go to a different song, you can navigate to the same menu and choose open Mixer state. This loads your master output state to the new song. You can also drag and drop these presets from the browser onto the master output channel.
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8—Dither and Export
When you’re happy with your mastering, make sure to apply dither to your exported song Go to File > Export. Choose your format. Probably the best is to choose a lossless format such as WAV. Then give the file a name and click save. A Rendering dialog box will launch. Expand the quality section, and make sure to enable Dithering and HQ (High Quality) for all plugins to get the best audio results.
Conclusion
Those are a few handy techniques to use to get the best out of mastering your songs in FL Studio. Try them out in your next mastering sessions.