FL Studio is one of the most powerful music production tools around, with an array of synths and effects available right out of the box. But like most producers, you could probably use a few more plugins! Here we’ve put together some of the best free plugins for FL Studio, which should cover you for almost every imaginable musical scenario.
Home › Free VST Plugins › 10 Free Guitar VST Plugins – Best Guitar VSTs 10 Free Guitar VST Plugins – Best Guitar VSTs Here are the best Free Guitar VST Plugins online that can be used with FL Studio, Reason, Ableton Live, and other VST supported software. For example, the free Synth1 is a top plugin in our searches. On the other hand, you will also find presets for VST effect plugins, such as reverbs, compressors, equalizers etc. FL Studio’s native softsynths are covered too on our website. You will find free synth presets for VST instruments such as Harmor and Harmless, or the older Sytrus.
The classic Roland JX-8P is emulated by this free synth VST wherein all the parameters are MIDI mappable with MIDI learning. All together, if you seek 80s style analogue pads, bass patches and a marvellous chorus module, the PG-8X is one of the best synth VST plugins on the market. 21) Full Bucket Music FB-3300. FREE FL Studio EDM Bundle ' What About: Free FL Studio EDM Bundle ' is a massive pack loaded with 2 ultimate FL Studio templates and 106 of the best pluck presets for Sylenth1. With this library you can upgrade your production to another level. SynthMaster Player FREE, Free Synth plugin, Download SynthMaster Player FREE plugin, Free KV331 Audio vst plugins.
Sitala
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Sitala is a drum plugin that can also be used as a standalone app. Although it is about as simple a drum plugin as you could want, it will find a place in almost any project due to its musicality and highly intuitive interface. Sitala’s six knobs and sixteen pads encourage you to use it as an instrument, which results in more musical beats and grooves.
Best Features & Specs
Sitala features 16 assignable pads that should be familiar to anyone who’s ever used a drum plugin before. You can drag and drop your own samples right into these pads or use the factory kits that come with the plugin.
Sitala also includes an array of sound-shaping tools that lets you put your own stamp on your drum sounds. With features such as ‘Shape’, ‘Compression’, and ‘Tone’, recreating traditional drum beats or more experimental grooves is a piece of cake.
Bottom-line
Like the best free FL Studio plugins, the beauty of Sitala lies in its simplicity. We found that it lets you lay down grooves quickly, and the results are always musical. We especially like how the interface allows you to play it like an instrument.
Piano One by Sound Magic
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Sound Magic’s Piano One is reminiscent of the Yamaha C7 concert grand, which is highly revered by many professional piano players. Based on Sound Magic’s Hybrid Modeling Engine, Piano One combines the best qualities of physical modeling and sampling. The result is an amazingly rich and responsive sound that often felt like playing a real piano.
Best Features & Specs
Sound Magic’s Hybrid Modeling Engine does a great job of combining the realism of piano samples and the responsiveness of physical modeling. Unlike other modeled instruments, Piano One responds instantaneously, with no sluggishness or delay. The sound is reasonably rich and full-bodied, particularly when playing sustained low notes. The plugin even comes with an onboard reverb that simulates environment and soundboard resonance for added realism.
Bottom-line
Even with its limitations, Piano One is a pretty impressive piano plugin. If you need a range of basic piano sounds but don’t have the cash for a humongous piano library, Piano One is worth looking into.
TyrellN6 & Zebralette by u-He
TyrellN6 is based on the legendary Roland Juno 60, which is one of the most iconic analog synthesizers ever made. Users of the venerable classic will appreciate the simplicity and ease of use of this plugin, which lets you create deep bass, lush pads, and cutting leads with relatively little effort.
Zebralette isn’t based on any particular instrument. Rather, it is a teaser of sorts for u-He’s well-respected Zebra 2. It has the same great-sounding oscillator that is in Zebra, giving you a taste of what you could achieve with the more fully-featured product.
Best Features & Specs
TyrellN6 and Zebralette give you a pretty diverse range of sounds, from classic to cutting edge. TyrellN6’s classic architecture is the ticket to thick and lush vintage sounds, with noise and a ring modulator joining the two oscillators for extra flavor.
Zebralette is a more esoteric plugin that allows for the creation of more outlandish and experimental sounds. This is a great entry point into the sonic possibilities offered by Zebra 2, and we were thrilled to find that Zebralette patches can be opened in Zebra 2.
Bottom-line
TyrellN6 and Zebralette are compact yet powerful synths that will find a place in any modern production. Even if you already have some powerhouse synths in your collection, these two free VSTs for FL Studio are worthy additions.
Guitar M Lite II
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Guitar M Lite II offers studio musicians the crisp and authoritative sounds of the Martin D-41 acoustic guitar in a convenient software plugin. Developed by Ample Guitar, M Lite is a great way to add glistening acoustic textures to your productions, even if you don’t happen to have a guitar player handy.
Best Features & Specs
M Lite is a sample-based instrument that weighs in at just under 850 MB. It includes standard guitar articulations such as hammer-ons and pull-offs, palm mutes, and pops, allowing you to create surprisingly realistic performances. The plugin also offers Customized Parameters Control (CPC), which lets you add more expressive touches via MIDI CC or automation.
We especially like the plugin’s Strummer function, which allows for some pretty convincing strummed performances. Strumming is where most acoustic guitar plugins fall short as far as we’re concerned, so were pleasantly surprised to find it implemented so convincingly in a free plugin.
Bottom-line
Those with discerning ears aren’t likely to be fooled by M Lite. But if you need some rudimentary acoustic guitar parts for a mockup, this plugin will do very well in a pinch.
LABS by Spitfire Audio
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Spitfire Audio’s LABS has created quite a stir in the software plugins world, so we were eager to put it through its paces. At present, the collection already covers a pretty broad range of instruments, and more are being added all the time. And because each instrument is a labor of love by dedicated musicians and sampling experts, the results are consistently impressive.
Best Features & Specs
Each LABS instrument comes in the form of a dedicated plugin, rather than a library you load in a software sampler. We found the user interface to be focused and refreshingly straightforward, with easy to use controls for dynamics and expression. We also like the inclusion of a knob that can be customized for whatever function the user wants.
The LABS collection currently includes strings, guitars, pianos, brass, drums, vocals, percussion, synths, and experimental instruments. Although not quite as detailed as more extensive sampled libraries, we had no trouble making them fit into our productions.
Bottom-line
The LABS instruments are about as straightforward as plugin instruments can be. Even if you already have a collection of software instruments, you will probably find a use for some of these plugins.
Vinyl by iZotope
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iZotope has long been known for its excellent noise reduction and sound improvement plugins. So it was a bit of a surprise when the company rolled out a plugin that adds grit and dirt to audio. With Vinyl, you can dirty up your tracks with a healthy helping of dust, scratches, and mechanical noise, instantly giving them the character of a vintage recording.
Best Features & Specs
As the name implies, Vinyl makes tracks sound like they are being played from a turntable. Ideally suited for every stage of the production process, we found this to be the most convenient solution to get the authentic vibe heard on ’60s and ’70s recordings.
We like how you can control how much ‘pixie dust’ you can add to your tracks. Whether you need just a few cracks and pops, a touch of mechanical noise, or you really want to thrash your audio, Vinyl provides independent control over each element.
Bottom-line
Vinyl works on pretty much everything from drums and strings to full mixes. If your tracks are sounding just a bit too clean, this plugin will let you dirty them up in a few clicks.
Ozone Imager 2 by iZotope
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iZotope’s Ozone Imager 2 offers a quick and easy way to alter the stereo image of your tracks. Whether you need to widen a pad or string section or narrow down your bass and kick drums to fit into a mix, Ozone Imager lets you do so quickly and easily.
Best Features & Specs
The most obvious application of Ozone Imager is to widen an audio track. If you need your synth pad or string section to fill up the soundstage, Ozone Imager will get the job done without imparting any sonic anomalies that could make mixing a nightmare.
Ozone Imager provides two flavors of Stereoize: one lets you widen source audio with a cool phasing effect, while the other widens signals more subtly. The plugin also has three vectorscope meters that give you instant visual feedback on your stereo spread.
Bottom-line
Ozone Imager is a fairly simple plugin that is useful for mixing as well as creative experimentation. If you are struggling to make certain elements fit into a mix, this is one you can try out, of check out or list of other mixing plugins.
MAutoPitch
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MAutoPitch is a pitch correction plugin developed specifically for vocals and monophonic instruments. Simple and straightforward, it is nevertheless capable of producing great-sounding results that compare favorably to more expensive pitch correction plugins. It even has formant shift and stereo-expansion features that expand its capabilities as a creative audio production tool.
Best Features & Specs
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Compared to many FL Studio plugins for free, MAutoPitch has quite an impressive user interface. It can be resized freely and has standard meters as well as time graphs. It also has sophisticated multi-parameter features such as mid-side and 8-channel surround processing. We particularly like the onboard safety limiter and the automatic gain compensation (AGC) features that keep levels in check.
All MAutoPitch parameters can be mapped for MIDI control and automation. This enhances the plugin’s value as a creative tool, making it more than just a “set-and-forget” processor.
Bottom-line
From subtle pitch correction to creative sound design, MAutoPitch does it all. If you do a lot of vocal work, this plugin is an essential addition to your toolbox.
Supermassive by Valhalla DSP
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Supermassive is only one of a handful of time-based plugins that form the bedrock of Valhalla DSP’s stellar reputation. The company’s delays and reverbs compare favorably to much more expensive plugins, and their features and capabilities are well known to producers across the globe. With Supermassive, the company once again proves its expertise in developing lush and exquisite sounding plugins, with a few more tricks up its sleeve.
Best Features & Specs
Supermassive is designed specifically to produce spacious and expansive delays and reverbs. Ideally suited for adding atmosphere to dry and lackluster productions, it sounds just as good when dialed down for more subtle ambiance.
Like all Valhalla DSP plugins, Supermassive is freely resizable, with precise controls for every parameter. It is based on a system of feedback delay networks, with each delay ultimately being processed by a unique WARP control. This allows you to produce everything from twinkling echoes to rich and deep reverbs and everything in between.
Bottom-line
Supermassive is easily a great VST for lush ambiance, even able to compete with our list of top VSTs on the market. Even if you already have a couple of favorite reverbs and delays, you will likely find yourself patching in Supermassive every time you need a unique atmosphere in your productions.
Pancake 2 by Cableguys
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Cableguys’ Pancake 2 handles a variety of panning and imaging functions in a slick and easy to use interface. Like all Cableguys plugins, Pancake 2 offers full control over the most useful parameters, giving you total control over your sound. You also have plenty of options to modulate the source audio as you wish, so you have free rein over your creative vision.
Best Features & Specs
PanCake allows you to set and forget the modulation depth and rate if you wish, although you could also draw in your own modulation curves. This feature is perfect for panning audio in time with the tempo or ramping up the speed for a buildup.
Of course, the plugin’s LFO can be set to sync to your host DAW’s tempo as well. Speeds from ¹⁄₁₂₈ notes to 32 bars are possible, giving you a wide range of movement options. The plugin also has a left/right display so you always know what is going on with your soundstage.
Bottom-line
Like the other top FL Studio plugins out there, Pancake 2 can be as simple or as complex as you wish. Whether you need subtle movement in your tracks or you are looking for more intense panning functions, Pancake 2 is one of the best free plugins for FL Studio.
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Set of virtual synthesizers from Arturia:
ARP 2600 V3 v3.5.0 is a truly universal tool for creating sound, which still takes its place in modern music. With a unique combination of semi-modular architecture and connected routing, the instrument has become one of the most versatile synthesizers of the 1970s.
Buchla Easel V v1.5.0 is the reincarnation of an iconic tool that helped define the experimental modular synthesis of the West Coast direction in the early 70s. Our enhancements give the instrument significant advanced features for sound design and avant-garde music.
CMI V v1.5.0 is the reincarnation of the first commercially available digital separable system in the history of music – the sound power station behind many of the early megahits of the MTV era. We even went the extra mile and added new creative features that were not available in those days.
CS-80 V3 v3.5.0 – The virtual model may still be the same as the original could do, but in addition it has a modulation matrix and multi-layer Multi mode, which significantly expand the potential of the tool. As in all Arturia virtual instruments, this model employs “no” aliasing, that is, they do not have an internal “reflection” of frequencies from the upper boundary of the range, which leads to the appearance of spurious sound tones.
CZ V v1.1.0 – Models the Casio CZ-101 and CZ-1000, two iconic synthesizers behind many of the 80s pop hits. It adds a ton of new features that make it the tool of the ages
DX7 V v1.5.0 – In 1983, the DX7 changed the world of music. Today, the DX7 V gives you the opportunity to change it again.
Nothing says better about the 80s like the sound of the DX7. Our authentic synthesizer gives you all the same FM technologies and sounds that the instrument gave, which has taken an esteemed place in the history of keyboards and modern music.
Jup-8 V3 v3.5.0 – The Roland Jupiter 8 synthesizer, perhaps, to the least extent requires a special presentation. Immediately after appearing on the music market in the early 80s, it instantly gained worldwide recognition and, despite its age, is still popular.
Matrix-12 V2 v2.5.0 – Times are changing, and now all the features of the original tool have been transferred by Arturia engineers to the virtual Matrix-12 V. And, according to the established tradition, some additional functions were added to them, which were not in the original.
Mini V3 v3.5.0 – the instrument is an “extended”, as is customary at Arturia, copy of the well-known synthesizer Minimoog D.
Modular V3 v3.5.0 – This huge modular system showed that electronics can be musical, so it is a catalyst for every synthesizer we see today. We revived the uplifting modular synthesizer that has dominated the music world since the 1960s.
Pigments v1.2.1 – A very powerful virtual wavetable analog synthesizer is Pigments and it will change the way you create music. Turning a spark of imagination into sound is the most important, exciting part of making music. Pigments makes this process natural, intuitive and vibrant.
Prophet V3 v3.5.0 – The virtual synthesizer Prophet V contains the stuffing of two instruments: Prophet 5 and Prophet VS. Separate screen interfaces are also prepared for access to them.
SEM V2 v2.5.0 – software emulation of one of the most famous synthesizers of the Oberheim brand – SEM. The virtual model perfectly combines warm musical tones accurately reproduced with TAE technology with a full range of innovative features
Synclavier V v2.5.0 – The possibilities of sound generation of a virtual instrument are almost endless, but, of course, a lot of work needs to be done to implement them. Some idea of the potential of the tool can be compiled from factory presets, of which a huge amount is recorded, but they do not cover the whole range of its capabilities. Some presets show precisely complex chains of samples, with a multifaceted and continuous “sweep” of the timbre.
Synthi V v1.1.0 – Synthi V fully reflects the spirit of the unique analog synthesizer that appeared in London in the 70s to inspire the whole developing world of electronic music, and has new superpowers that inspire our world today, and your music will sound differently .